FSCC 2:30 classMain MenuPersepolisPedro and MeCreditsMary Assadf231428d3fe6a0e63c975240f1a85fa95933a663
layout analysis and facial expression
12020-03-27T03:30:39+00:00Yifei Luo2bcdb27fe562e9c75a91478a5b9b08825b932e70213plain2020-05-04T21:08:46+00:00Yifei Luo2bcdb27fe562e9c75a91478a5b9b08825b932e70Pedro was painted in the way of triptych, a classical art expression of Christianity. The triptych was organized in an approximately symmetric way. The left panel was the scene that Pedro was camouflaging his inner, while the right panel delineated the authentic mental and physical condition of Pedro. Two panels mentioned above serve as comparison to each other. While in the middle, Pedro was depressed that he could not cover the fact any more. He was mired in an impasse of self questioning. He lost his hope of his future life. Like an votive Christian, Pedro was actively seeking his salvation from the god. Hope and mental power were all abandon at this moment. He would trust any ism, theory that could, at least give him even the smallest amount of hope.
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12020-02-26T17:53:49+00:00Amanda Koziurad8cad79289ca6f3a766facb6fa0fbb11898df036Frank_P_M_212020-02-26T17:53:49+00:00Pedro and Mebanzhongxuand7c9a9145e0d66d344179188f447d4f5f7f0f2bc
